Horn-Crafts french horn mute played by professionals. It is therefore important to have a mute that offers good sound, intonation and a secure feeling. With mutes, the conversation often turns to resistance, because resistance often influences sound and intonation. The challenge in developing a good mute is to find the optimal balance of these attributes. Through cooperation with well-known hornists it has been possible to build a mute that incorporates all of these qualities.
Complete horn-section of the Vienna Philharmonic are playing Horn-Crafts mutes
For a good fit, high quality cork is glued to the mute
... an innovative inner construction that runs evenly through the sound chamber, which influences the resistance and intonation.
A comfortably looped viscose cord aids in quick changes from open to stopped playing.
A protective case from Cardocase is available to guard the mute from grime etc.
“Can be played loudly without losing the characteristic muted color.” Ideal for Mahler’s symphonies… Intonation is good, and it is balanced in all registers.” Premysl Vojta, Solohornist Konzerthausorchesters Berlin, ARD Contest Winner 2010
The mute is well suited for most horn manufacturers, including Alexander, Engelbert Schmid, Klaus Fehr, Lawson, Holton and Paxman.
This mute is crafted from high quality European cherry and beechwood
For a good fit, high quality cork is glued to the mute with an innovative inner construction that runs evenly through the sound chamber, which influences the resistance and intonation.
A protective case from Cardocase is available to guard the mute from grime etc.
A protective case from Cardocase is available to guard the mute from grime, etc.